Ali Ashraf Nazari; Ali Hassan Pour; Mohsen Hassan Pour
Abstract
Discourse representation processes based on them, the ability of the person who caused the use of symbols, symbols and common language to engage with each other. This research is trying to analyze TV series of The Islamic Republic of Iran Broadcasting in the 2000- 2010s based on cultural studies approach ...
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Discourse representation processes based on them, the ability of the person who caused the use of symbols, symbols and common language to engage with each other. This research is trying to analyze TV series of The Islamic Republic of Iran Broadcasting in the 2000- 2010s based on cultural studies approach and the discourse of representation politics. Thus, the semantic discourse in politics, called the Irony in radio and television programs has created the processes that lead to weakening of the semantic representation Iranian names often it is through Irony. Thus, the semantic discourse in politics, called the Irony in radio and television programs has created the processes that lead to weakening often semantic representation Iranian names often it is through Irony.
Sara Talebi; Mohammad Gholi Minavand
Abstract
Playing right role of media in our country needs to examine the way of performing the announced policy by the Islamic republic of Iran broadcasting(IRIB) for the media production. The family is one of the attractive subjects between the films and serials. And the women in modern society need them to ...
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Playing right role of media in our country needs to examine the way of performing the announced policy by the Islamic republic of Iran broadcasting(IRIB) for the media production. The family is one of the attractive subjects between the films and serials. And the women in modern society need them to model their role properly in the family. This article which has been investigated by qualitative deep interview method with religious experts and media specialists wants to convey both the role of the presence of women among their family and the norm and the quality of their presence according to the Islamic values announced by the program Producing organization of Islamic Republic of Iran Broadcasting (IRIB).
Mahdi Montazerghaem; Bashir Motamedi
Abstract
This article reviews the three perspectives for the TV audience, program content and production system, and emphasized the production system of religious TV programs, has been trying to transparent and opaque rules of religious programs as part of the production system be explained. Context or theoretical ...
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This article reviews the three perspectives for the TV audience, program content and production system, and emphasized the production system of religious TV programs, has been trying to transparent and opaque rules of religious programs as part of the production system be explained. Context or theoretical framework of this theory of political economy-related concepts such as ownership of the media, political economic and hegemony in the production and control systems through effective regulations knows. The Methodology draws on qualitative approaches of Focused Interviews with producers of religious programs. Additionally, a literature survey of Iran National Broadcasting documents will be undertaken. It is hoped that a clear picture will emerge. The overall discourse indicates that the “do not” principles are the sole guides to the programs. At the outset these prohibiting directives, which include religious and ethical issues is later extended to self made prohibiting rules, leading to consolidation of the hegemonic status.
