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<ArticleSet>
<Article>
<Journal>
				<PublisherName>Iranian Institute for Social &amp; Cultural Research</PublisherName>
				<JournalTitle>Journal of Iranian Cultural Research</JournalTitle>
				<Issn>2008-1847</Issn>
				<Volume>8</Volume>
				<Issue>4</Issue>
				<PubDate PubStatus="epublish">
					<Year>2016</Year>
					<Month>03</Month>
					<Day>15</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Imagination of Tehran: Study of &quot;Mindscape of the City&quot; through 1340s and 1350s Iranian Cinema</ArticleTitle>
<VernacularTitle>Imagination of Tehran: Study of &quot;Mindscape of the City&quot; through 1340s and 1350s Iranian Cinema</VernacularTitle>
			<FirstPage>53</FirstPage>
			<LastPage>90</LastPage>
			<ELocationID EIdType="pii">292</ELocationID>
			
<ELocationID EIdType="doi">10.7508/ijcr.2015.32.003</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Azam</FirstName>
					<LastName>Ravadrad</LastName>
<Affiliation>Professor of Social Communication Sciences, Faculty of Social Sciences, University of
Tehran.</Affiliation>

</Author>
<Author>
					<FirstName>Baharak</FirstName>
					<LastName>Mahmoodi</LastName>
<Affiliation>PhD Candidate of Social Communication Sciences, Faculty of Social Sciences, University of
Tehran</Affiliation>
<Identifier Source="ORCID">0000-0002-5606-4797</Identifier>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2015</Year>
					<Month>07</Month>
					<Day>06</Day>
				</PubDate>
			</History>
		<Abstract>This paper aims to study the imagination of Tehran through 1340s and 1350s Iranian cinema and the main question is that what kind of representation on city was fueled by cinema. This study was conducted based on analysis of four impressive films in these two decades. Two of them are popular movies (Ganje Gharoon and Khater Khah) and the two other (Khesht-o Ayeni and Ragbar) are related to avantgarde cinema. Although they are different in presenting the city in some aspects, the results reveal that both approaches emphasise on the negative aspects of the city and expose latent contradictions in the extreme way.</Abstract>
			<OtherAbstract Language="FA">This paper aims to study the imagination of Tehran through 1340s and 1350s Iranian cinema and the main question is that what kind of representation on city was fueled by cinema. This study was conducted based on analysis of four impressive films in these two decades. Two of them are popular movies (Ganje Gharoon and Khater Khah) and the two other (Khesht-o Ayeni and Ragbar) are related to avantgarde cinema. Although they are different in presenting the city in some aspects, the results reveal that both approaches emphasise on the negative aspects of the city and expose latent contradictions in the extreme way.</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">City</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Tehran</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">City Imagination</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Iranian Cinema</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Mindscape</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Representation</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">http://www.jicr.ir/article_292_1700002963a49da13542e0726b7bb758.pdf</ArchiveCopySource>
</Article>
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