Cyberspace and Metaverse Culture
M. Rajabi; M.S. Nasrollahi
Abstract
The future challenges of artificial intelligence, especially in the relationship between humans and intelligent systems or technologically advanced machines as well as the power of its functions in social media, are a cause of concern whose cultural impacts have been presented after further investigation. ...
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The future challenges of artificial intelligence, especially in the relationship between humans and intelligent systems or technologically advanced machines as well as the power of its functions in social media, are a cause of concern whose cultural impacts have been presented after further investigation. As such, the main goal of the article is to analyze the cultural consequences of artificial intelligence in social media i.e. what positive and negative impacts the use of AI have on social media. Taking into account the analytical method of thematic analysis, the data has been collected through questionnaire-based interviews with experts. The findings show that one of the most important cultural impacts of the use and development of artificial intelligence on social media is the scalability (expansion of the scope) of the effectiveness of human decisions and actions, new structuring of the human communication system, transformation in the way of cultural consumption, reducing the power of human choice and delegation. Other aspects mentioned are the disruption of the functioning of the representation of truth in the media, the disruption of the balance between the benefits of personalized content and privacy protection, the countercultural effects of designers and technology owners on the functioning of intelligent systems, the transformation in the way humans and technology interact, the lack of transparency of the consequences of the use of artificial intelligence, and the limitation of the power of governance as well as traditional and the impossibility of effective supervision and legislation, etc.
Azam Ravadrad; Amirhossein Tamannaei
Abstract
In this article the relationship between cultural policies and cinema in Iran is studied through a comparison between cultural-cinematic policies of two different Iranian states during years 1377 and 1389 and their effects on selecting the representative of Iranian cinema to the academy of Oskar. The ...
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In this article the relationship between cultural policies and cinema in Iran is studied through a comparison between cultural-cinematic policies of two different Iranian states during years 1377 and 1389 and their effects on selecting the representative of Iranian cinema to the academy of Oskar. The theoretical framework of the study is based on the field of sociology of cinema, concentrating on Tony Bennett's theory relating to the effect of politics and state on form and content of cultural products. The methodology of the article is documentary and the technic used is qualitative content analysis. The analysis of cultural policies of cinema, as an issue in the field of sociology of cinema, shows that although form and content of movies are both influenced by social conditions, to which cultural policy is a part, form has been a more important criteria for the selection of movies to present in the academy of Oskar. In other words, there is a general policy in Iran that supports the idea of entering the competition of Oskar each year in order to show that Iranian cinema is so mature that is able to compete with the cinema of other countries. This policy leads to use the form and the aesthetic quality of movies as dominant criteria for the selection. Therefore, although based on each period's policies and state it is expected that selected movies produce some special contents, the importance of form has led to a selection of movies that are not directly appropriate with their co-existing domestic policies. Considering this interesting finding, it can be theoretically concluded that the effect of cultural policies on cinema is more on the content while the form of cinema is to a great extent free from the bounds of cultural policies.
Elahe Dehghan Pishe; Reza Esmaeili
Abstract
The present study aimed to study and evaluate the state approvals in the field of The cabinet approval in mentioned period 1989 to 2009 in Iran. cinema from which keywords related to cinema is shown in their titles or texts will form this The method of this research is content analysis and the instrument ...
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The present study aimed to study and evaluate the state approvals in the field of The cabinet approval in mentioned period 1989 to 2009 in Iran. cinema from which keywords related to cinema is shown in their titles or texts will form this The method of this research is content analysis and the instrument used .research is a checklist with r= 0.91 using Scott formula. The content analysis checklist was constructed based on the model which classified arts policies into four types namely: facilitator, patron, architect and engineer. The findings revealed that in the investigated twenty-year process. the various states having come in 4-year intervals have been different in using the types of arts policies. The state in the first and second presidency of Akbar Hashemi Rafsanjani used the facilitator and engineer types; in the first presidency of Mohammad Khatami used the patron and architect types, in his second presidency the architect type; and finally in the first presidency of Mahmoud Ahmadinejad used the architect and engineer types more than the other types. Although there has been a difference between the types of arts policy in the cinema approvals in different periods of presidency. the architect and engineer types of arts policies have been used more than the facilitator and patron types.
Mohammad Rezaei; Abbas Kazemi
Abstract
The study of the process of representation in media is one of the important research areas in cultural studies. This article explores the different forms of media representation of ethnicity in Iranian T.V series based on constructivist representation approach as developed by Stuart Hall. To this end, ...
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The study of the process of representation in media is one of the important research areas in cultural studies. This article explores the different forms of media representation of ethnicity in Iranian T.V series based on constructivist representation approach as developed by Stuart Hall. To this end, two series entitled “ if my dad was alive” , “ Deer of the ninth month” were analyzed in a qualitative manner. The main question is about fairness in representations ethnic groups in TV networks. Also, the authors compare the different forms of the representation of ethnicity and provide an internal critique, bearing in mind the objection, topics, priorities and policies related to production, procurement and broadcasting ratified to regulated T.V programs. According to findings, it could be said that the representation of ethnicity gives an unfair picture of certain groups. This approach created fuzziness in portraying minorities as groups having marginal and even negative roles in the society. Being marginalized, ethnic actors face limitations in expressing themselves. Therefore minorities subjects who speak in the public sphere encounter more serious restrictions.
