Sociology
S.H. Nabavi; T. Moradi Nasari
Abstract
Suicide is one of the important problems the prevalence of which has brought about a crisis in Ilam province. Numerous studies have been carried out, but have not adequately addressed the cultural causes (meaning). Hence, the main issue in the present research is what is the meaning of suicide among ...
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Suicide is one of the important problems the prevalence of which has brought about a crisis in Ilam province. Numerous studies have been carried out, but have not adequately addressed the cultural causes (meaning). Hence, the main issue in the present research is what is the meaning of suicide among the people of Ilam? To achieve the response, the strong program approach in the cultural sociology of Alexander and Smith was used. The method is of a qualitative kind; it is based on the "strong program". In this research, due to the subject and the conditions, purposive sampling was used. The sample includes all individuals who have had suicide attempts (unsuccessful) in the province during the period from September to December 2014, or relatives of those who have committed suicide. Data collection techniques, included observation and interviews with either people who had committed suicide some of their relatives. The data was supplemented through interviews with hospital personnel, university professors, researchers and informant individuals, referring to articles and publications; news reports and press releases; sites and weblogs; as well as proverbs, poems, etc. The results show that in Ilam society, suicide is a symbol of the objection against the status quo and is codified as evil. There are two main narratives about suicide: fatalism and salvation. Through analyzing the symbols, codes and narratives of suicide, it is understood that suicide is thought to be a way the person is recognized.
Shahram Parastesh; Abbas Jannesary
Abstract
This article studies the narrative of Iran-Iraq war(1980-1988) in three novels:”The Journey Towards 270 Degree” by Ahmad Dehqan, “No Watery, No Soil” by Ali Moazeni and ”Scorpion On the Steps of Andimeshk Rail Road” by Hossein Mortezaeian Abkenar. In the sight of narrative ...
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This article studies the narrative of Iran-Iraq war(1980-1988) in three novels:”The Journey Towards 270 Degree” by Ahmad Dehqan, “No Watery, No Soil” by Ali Moazeni and ”Scorpion On the Steps of Andimeshk Rail Road” by Hossein Mortezaeian Abkenar. In the sight of narrative theories and methods this study first illustrates the novels’ structures and superstructures in order to analyze their deep structures. Life and death, as the principal components of the deep structure, have been defined and classified based on analyzing the text, the genre of narrative and titles of the occurrences. In”The Journey Towards 270 Degree” life is the dominant aspect of the structure and content, versus, in “No Watery, No Soil” death and martyrdom are illustrated as the dominant aspects. Finally, in” Scorpion on the Steps of Andimeshk Rail Road”, neither death nor life are dominant, rather its narrative and structure depict a purgatorial aspect between life and death.
Abdollah Giuvian; Shahram Ahmadi
Abstract
TV commercials as multifarious media texts use various contrivances of which narrative and fundamental elements of short stories can be mentioned. These texts also make use of cultural codes in order to alter audiences\' opinion and to function as influential apparatus of persuasion. So, in order to ...
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TV commercials as multifarious media texts use various contrivances of which narrative and fundamental elements of short stories can be mentioned. These texts also make use of cultural codes in order to alter audiences\' opinion and to function as influential apparatus of persuasion. So, in order to read and interpret such texts one would need to call theories and insights from diverse disciplines such as Narratology, advertising, TV and Communication studies. Based on theoretical dissimilarities, this research started with differentiating two sorts of TV commercials: those based on narrative structures and others without being developed on a narrative base. In doing so I conducted a survey among aired TV commercials during a season (Winter 2008) and due to the results I selected TV commercials developed on a narrative base to study. In terms of narrative structure there can be distinguished four main categories. Also, I divided these ads into four categories based on the ways in which these ads represented their main actors. The basic criterion in this classification was the relationship the ads established between main actors, goods, and type of preferred consumption. Using semiotics and critical discourse analysis methodology, I studied the chosen samples in dept. As the findings of my research show and you can see in this article polarization in story persons/ personalities is based on their \"consumption\" or \"their knowledge about the advertised good or service\". The ads due to their textual nature are open to different interpretations.
Hossein Mirzaei; Jabbar Rahmani
Abstract
Itineraries have been an important source of knowing cultural and social characteristics of societies, but this has been involved with some limitations in understanding, knowledge and interpretation. In fact, travel diaries are a kind of narrative. This narrative is restricted by time, place, situation ...
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Itineraries have been an important source of knowing cultural and social characteristics of societies, but this has been involved with some limitations in understanding, knowledge and interpretation. In fact, travel diaries are a kind of narrative. This narrative is restricted by time, place, situation and events.This article studies itineraries written by foreigners about Iranians and their cultural – social characters. This narrative has a pathological aspect, being dominant aspect in foreign travel diaries. Certainly, they present a biased and presupposed picture of our history, but they could be very instructive.
