Cultural Studies
Somayeh Shalchi; Marzieh Shojaee; Hamidreza Farhangi
Volume 9, Issue 1 , June 2016, , Pages 1-32
Abstract
In city planning, a fundamental point is to evaluate the city image. The concept of city image is multidimensional. This study evaluate the city image of Tehran and its consequences. Tehran regenerates for many years. This modernization process creates new city image, urban identity and new relationship ...
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In city planning, a fundamental point is to evaluate the city image. The concept of city image is multidimensional. This study evaluate the city image of Tehran and its consequences. Tehran regenerates for many years. This modernization process creates new city image, urban identity and new relationship between residents. This study has qualitative approach. Interview and thematic analysis used for collective and analyses data from 20 citizens. This sample selected equally from north and south of Tehran as developed and undeveloped urban region. Conceptual framework consist Blasé outlook of Simmel, meaning of memory and city of Benjamin and concepts of alienation and spaces of representation in Lefebvre theory. Findings reveal that process of regeneration destroys memories of citizens. They can’t relate with new urban spaces. Regeneration makes separation image from north and south of Tehran. Residents of south feel sense of deprivation, exclusion and inequality. Interviewees miss their human relationship like neighbors, so they feel loneliness. Totally, elements of city image of residents show alienated sense of place in Tehran.
Azam Ravadrad; Baharak mahmoodi
Abstract
Tehran as a symbol of Iranian modernity has been considered in many Iranian fiction films. Representation of Tehran in cinema can be the representation of Iranian modernity revolution. This study focuses on the representation of urban image in Iranian fiction films through critical theories such as Simmel ...
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Tehran as a symbol of Iranian modernity has been considered in many Iranian fiction films. Representation of Tehran in cinema can be the representation of Iranian modernity revolution. This study focuses on the representation of urban image in Iranian fiction films through critical theories such as Simmel or Benjamin opinions. In this article we discus about the mediator role of cinema for representing the Urban life Image and confliction of modernity in Iran.Meanwhile some megalopolis such as Paris, Berlin, Moscow, New York and sanpitersboorg est.…have had great opportunity for understanding confliction of modernity in their situation, Tehran has never have that chance. Regarding to this vacuum we want to explain the role of Iranian fiction films for understanding the entrance of modernity consequences in different eras. We believed that fiction films can represent confliction of city and village, represent of modern dualities, non cohesive rationality and many other gaps in Iranian modernity that we have to know.
