Cultural Studies
P. Javadzadeh; M. Kowsari; M. Ameri Shahrabi; A. Abtahi
Abstract
Among the three main domains of production, distribution and consumption, Iranian national music has specifically received little attention from contemporary researchers. Music has a special place in the Iranian culture since it is shaped by historical and biocultural experiences of this society. But ...
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Among the three main domains of production, distribution and consumption, Iranian national music has specifically received little attention from contemporary researchers. Music has a special place in the Iranian culture since it is shaped by historical and biocultural experiences of this society. But in recent years, Iranian national music has not only lost its social influence but the audience and its social functions as well. Usually, music is distributed in Iran through its producers after obtaining official licenses and reviewing the content of a musical piece. Since Iranian national music is different in contents and requirements compared to other countries, using Western theories to understand its distribution mechanism in Iran may not be very helpful. Also, no research has been done so far to understand the socio-cultural aspects of the distribution mechanism of Iranian national music. This research seeks to establish a comprehensive understanding of this field with a heuristic approach as well as by using the systematic grounded theory. Data were collected via an in-depth interview technique, coded and categorized with three open and axial as well as selective instructions. 23 concepts and 8 categories were extracted from the data. Finally, using the paradigm model, the grounded theory is presented in the form of a story and visual model.
Social Sciences and Communications
H. Khaniki; S. Yahyayi
Abstract
This paper by introducing a new concept of "exteriorism" in media audience studies, intends to study the "exteriorists" who has been consciously boycott Iranian state TV. According to the authors, the experience of exteriorism is unique and different in any Countries and societies. This qualitative ...
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This paper by introducing a new concept of "exteriorism" in media audience studies, intends to study the "exteriorists" who has been consciously boycott Iranian state TV. According to the authors, the experience of exteriorism is unique and different in any Countries and societies. This qualitative study was conducted by using of In-depth interviews and within the methodological frameworks have studied the grounded theory. Data was collected through 29 semi-structured In-depth interviews. Upon completion of coding and categorizing interviews data in this methodology, presents a theoretical model about exteriorists of Iranian state television. This study aimed to identify perceptions within the meaning of exteriorists as a preface to pull them out, by considering 118 concepts through individual in-depth interviews that formed a theoretical analyzing. Based on results, three main typology of exteriorists experiences as follows; "Resistance and protestation", "Avoid of vulgarity" & "unhappiness of entertainment". Innovation in this paper is achieving recognition of the audience by negation logic & The authors believes that media policy making needed to same deep recognition like this.
